Tag: Wine tasting notes

Robola: the Voice of Cephalonia’s Limestone

Melissani Cave, Kefalonia, Greece.
Melissani Cave, Kefalonia, Greece.

Robola is often touted as Greece’s second noblest white grape 1Malagouzia has also risen in fashion, and has more recently acquired this moniker., forever trailing on the coattails of Assyrtiko. If Assyrtiko has a greater footprint in consumers’ minds, it’s in part due to the crushing influx of tourists to Santorini and the enduring affective link they build while traveling in Greece.

But Robola remains a total mystery to the rest of the world: no one seems to have heard of it outside of Greek industry tastings.  And unsurprisingly, no one has heard of its home: the stunning Ionian island of Cephalonia itself.

Only Italian and English tourists seem to have discovered the Cephalonian secret. Historically, they’ve an unfair advantage, as the Venetians and later the English ‘protected’ the island after the Turks lost control in 1460.

Poor Robola. No one speaks of this silver medalist, this silent prince, who lives in the shadow of its Santorinian counterpart.

Or — more precisely — who lives in the shadow of Mount Ainos.

  • Mount Ainos, the darkest peak, with typical clouds nearby.

The Robola grape grows on the slopes of this highest peak of Cephalonia (also spelled Kefalonia). A fair share (10-30%) of these are ungrafted vines, over 100 years old, planted at up to 2600 ft (800 m).

Which is to say: this is the real deal. Here is a unique wine expressing Cephalonia’s limestone terroir in the most raw, direct form possible.

GETTING DEEP INSIDE LIMESTONE

Cephalonia is a shimmering, turquoise-watered island paradise; yet another otherworldly, karstic limestone world in Greece, whose crown jewel is the Melissani cave.

The Melissani cave’s roof fell in thousands of years ago, and left a 50 x 40 m gateway to a cavernous lake world.  The cave beneath had been hollowed out (Click to Read more)

On the Value of Wine Criticism: a Conversation with the Blind

Let’s admit it, there are a lot of wine words that raise eyebrows.

The esoteric jargon leaps to mind: “This wine has lift. Excellent palate tension”. “A laser-like focus”. “This wine is rather foursquare”. “Très nerveux”, quoth the French wine critic, often when sampling a dry white wine they like. Can a wine be nervous?

Then there is the dauntingly precise collection of fruits, flowers, and other non-edible aromatic descriptors in tasting notes.

 

And finally, there’s the troubling lack of consensus between critics regarding exact descriptors for the same wine. What one critic might consider to be a “full” wine with “bilberry, truffle and red currant”, another critic might dub “angular yet fresh with a core of Alpine strawberries”.

If the critics can’t even agree, what’s it all worth? How can it be right?

Deep breath: I vehemently defend these practices and descriptive tools. And, I’ve had it with the parade of Philistines (Click to Read more)

Dark Secrets of the 100 Point Wine Scale

Even if the 100 point wine scoring system is not going away anytime soon, wine consumers are getting wise to some shameful flaws. Yet another ghastly pair of endemic faults which are seemingly never discussed?

Glass ceilings for certain wines, and perhaps more insidiously: the invisible, deleterious effects of moderation drinker rationale.

DO NOT QUESTION THE GLASS CEILING, MOVE ALONG

“Once the Wine Spectator wrote a story on Beaujolais.  The top wine had a score of 86 or 88.  I sent them a note saying I’d read the article and thought the wine might be to my taste, ‘But could you please tell me the names of people who really know how to make Beaujolais as I’d like to taste some 90+ point wines.’  They wrote back saying ‘You don’t understand. (Click to Read more)